
Apologies for the gap in updates. I have been working on a film called "Dark Country", as Production Designer for the past few months. "Dark Country" is a film by Thomas Jane, who both directs, and stars.
We're fairly deep in, filming on location in Albuquerque New Mexico. It's cold, it's windy, it's dusty, and it's real F'ing dark. But we're having a ball. I'm in country with Jane, DP, Geoff Boyle (The Mutant Chronicles, Enemy At The Gates), Grade A Cameraman Extraordinaire Howard J. Smith (Harry Potter and the Order of the Phoenix, The Matrix), 3-D Technical Advisor Ray 3-D Zone, and monster cool, ultra kick-ass Producer Patrick Aiello. It's a fantastic core to a very ambitious Hitchcockian noir thriller.
For insight into the 3-D technology we're employing on this film I quote Ray 3-D Zone -
"The technology for 3D photography of The Dark Country is truly innovative with two HD heads capturing at 2K resolution. The two HD heads are tiny compared to the film cameras used previously to shoot 3D movies. This allows for highly mobile and fluid camera movement during photography. The twin HD units were built by Max Penner, Tim Thomas and the 3D wizards at Paradise FX in California. Howard Smith provided input for the camera assembly so that it would work with his mobile "AR" rig, a revolutionary new form of steadicam in which the cameras maintain the horizon. Another stereoscopic innovation is the use of dynamic variable interaxial in which the distance between the two cameras can be actively changed while cameras are rolling. The stereoscopic motion picture photography in The Dark Country is unprecedented, particularly with the camera movements that powerfully reinforce the compelling narrative. It's a real breakthrough for 3D movies."
Please visit the RAW forum for the most up to date news on "Dark Country". We currently have 4 threads open on the subject. There are a ton of pictures, even some in 3-D! Come check it out. Hope you enjoy -
Dark Country: A Film By Tom Jane
Dark Country: Production Diary: The inside perspective by Tim Bradstreet
Dark Country Production Diary Feedback
3D in The Dark Country: Moderated by Ray 3-D Zone